By Sarah Johnston (Senior Client Access Liaison – Takawaenga ā-Iwi Matua, Nga Taonga Sound & Vision)
The Plunket Society turned 110 years old this month. One of New Zealand’s most famous institutions, “The Society for the Promotion of the Health of Women and Children” was founded at a public meeting in Dunedin in May 1907 by Dr Frederic Truby King.
It was re-named The Plunket Society after one of its early supporters, Lady Plunket, the wife of the governor-general at the time.
You can hear Sarah Johnston from Ngā Taonga Sound & Vision talking to RNZ’s Jesse Mulligan about recordings about Plunket here or read more and listen to the full recordings at the links below.
Kate Challis Hooper trained as an early Karitane nurse at Truby King’s first hospital at Anderson’s Bay near Dunedin in 1915. In this interview from 1961 she vividly describes the rather spartan conditions for nurses and babies, but also her enthusiasm for Dr King’s work, “helping mothers and saving babies.”
It seems nowhere was too remote for Plunket. Mrs Beryl Sutherland, who raised her family near Milford Sound in the 1930s (as her husband worked on building the Homer Tunnel), recalls getting a welcome visit from Plunket in her remote location.
In 1952, the magazine programme, “Radio Digest” visited Plunket’s Karitane Hospital at Melrose in Wellington to mark it’s 25th anniversary and broadcaster David Kohn interviewed nurses as well as a resident mother, who had been enjoying Plunket’s care so much she was reluctant to go home!
The New Zealand Symphony Orchestra turns 70 this week, marking the anniversary of its first public performance in the Wellington Town Hall, on 6 March 1947. Extensive recordings from the orchestra’s early years are held in Ngā Taonga Sound & Vision’s sound collection, and RNZ Concert have drawn upon this archival audio to produce a series of programmes marking the event.
- By Sarah Johnston (Client Services Co-ordinator – Radio, Ngā Taonga Sound & Vision)
Historic figures from Lyttelton’s past have been brought to life in a new exhibition of 23 compelling portraits, accompanied by archival sound recordings from the RNZ collection at Ngā Taonga Sound & Vision.
The finished photo portraits are then hung in various locations around Lyttelton, which relate to either the subject or the sitter. The port town’s museum was destroyed in the 2011 Christchurch earthquakes and the project, which is called Lyttelton Redux, aims to help the museum maintain visibility in the community while it operates without a physical building or exhibition space.
By downloading the app you can listen to the sound recordings and view each of the portraits, making the exhibition accessible to everyone, even if you can’t make it to Lyttelton.
As well as archival audio relating to the historical figure (courtesy of Ngā Taonga Sound & Vision) all of the modern-day sitters also contributed recordings, including members of Lyttelton’s well-known music community.
- By Sarah Johnston (Client Services Co-ordinator – Radio, Ngā Taonga Sound & Vision)
It’s the Year of the Rooster in the Chinese calendar and lunar New Year festivities are being held around the country as the Chinese community celebrates. Thousands of non-Chinese Kiwis join in with these events, going to lantern festivals, watching fireworks and enjoying Chinese food throughout the month of February.
We might tend to think multicultural events such as Chinese New Year are a recent development and part of the more cosmopolitan society we now enjoy in Aotearoa. However, recordings in the sound collection of Ngā Taonga Sound & Vision show us that as far back as the gold-rush era of the 1870s and 1880s, Chinese communities were inviting their European neighbours to celebrate the New Year with them.
The Mobile Unit recording truck visited communities all over Central in 1948 and carried out interviews in places such as Arrowtown, St Bathans, Naseby, Cromwell and Lawrence. It recorded memories from people who were aged in their 80s, so their recollections go back as far as the 1860s – and they had many stories of the gold-miners who flocked to the area – especially the Chinese miners.
Two Arrowtown women, Helen Ritchie and Ellen Dennison, remember the large meals the miners provided to mark events such as Chinese New Year. Mrs Ritchie was born in 1863 in Invercargill and grew up on the Shotover and Nevis Rivers, where her father was a shepherd.
- By Alexandra Porter (Audio Conservator, Ngā Taonga Sound & Vision)
Tēnā koutou katoa
Ko Alexandra Porter tōku ingoa
Nō Ingarani me Kōtarania ōku tīpuna,
I whānau mai ahau i Īnia,
Kei Ōtautahi tōku kāinga ināianei
Ka nui te mihi ki a koutou katoa
Nō reira, he waka eke noa
Tēnā koutou, tēnā koutou, tēnā tātou katoa
Born in India from English and Scottish parents, I emigrated from Ingarani (England) at the age of 20 and apart from a couple of years in Tūranganui-a-Kiwa (Gisborne) and Ōtepoti (Dunedin) have settled largely in Ōtautahi (Christchurch). I consider Aotearoa home; it is where my son was born (Waitaha, Kāti Māmoe, Kāi Tahu) and where I have been growing roots for the best part of 23 years. It is with a degree of embarrassment then when I admit te reo Māori had been on my list of things to do for far too long.
Fortunately my challenging but inspiring journey of te reo began in March 2016 when support from work and a window in the evening schedule allowed; challenging because my brain is not a great receptor between 6.30-8.30pm, and inspiring because it opened up te ao Māori and has served to strengthen family ties. My son continues to learn te reo at school and takes great satisfaction from correcting my whakahua (pronunciation) and testing me on my mahi kāinga (home work) which I am grateful for, as teenage years advance and the general urge to kōrero with parents can diminish.
In Ōtautahi te reo Māori and tikanga has been something I personally associated mostly with formal or bicultural occasions, scattered within extended whānau gatherings or at work, limited to the beginning and ending of email correspondence. However, one has to start somewhere, and only in daily use have I found any new language sticks. Therefore (thanks to colleague and fellow te reo student, Sarah Johnston) my workplace and home are now covered in pieces of paper to assist this slow process of neuro-linguistic embedding.
Our wonderful kaiako (teacher) and talented kaiwaiata (singer) Antoinette Koko (Ngāti Kahungunu, Ngāi Tahu) has introduced us to a variety of traditional karakia (prayer) and waiata (song) as part of the curriculum, the latter to which I was initially resistant as singing in any capacity is not my thing. Timely choral bursts do, however, serve to expand her class’ attention span whilst lifting spirits and confidence (it’s a good trick). So when, following the end of the term last year, a friend played me The Alphabet Song from a 1972 vinyl LP produced by the New Zealand Broadcasting Corporation I was eager to both share and find out who else had come across it.
A recent and proud addition to his vinyl record collection, the LP titled MAORI for BEGINNERS* by Professor Biggs [1.] (LP cover featured below) was purchased from a Christchurch second-hand store for just a few dollars. The spellbinding first track immediately seized my attention as its melodious vocal pattern of letters was unique to anything I’d heard before.
Back at work a search in Ngā Taonga Sound & Vision’s collections database revealed that we had a copy on DAT (Digital Audio Tape), taken from an LP of the same name produced in 1972 – but no original vinyl disc was present in the archive. DATs are high on all sound archive preservation agendas as the format (largely from the late 1980s-early 2000s), developed for storing and backing up data onto magnetic tape, is unfortunately rapidly deteriorating. Now however, following its digitisation, this taonga is available to listen to in its entirety on our online catalogue. Continue reading →
To mark Waitangi Day we have uploaded some historic radio coverage of our national day to our online collections catalogue.
You can listen to our Client Services Co-ordinator Sarah Johnston talking about the 1963 celebrations at Waitangi with RNZ’s Jesse Mulligan here. That year was marked by the presence of Her Majesty the Queen (who landed at Waitangi for her second tour of New Zealand on 6 February) and by a speech by Sir Turi Carroll (Ngāti Kahungunu), President of the New Zealand Māori Council, calling on the government to recognise the Treaty in law and make the day a public holiday – it didn’t become a public holiday until 1974.
Ngā Tamatoa’s actions meant the media was forced to examine Māori grievances around the Treaty more closely and radio programmes like these represent the start of greater consideration by the national broadcaster about the Treaty and its implications for modern-day New Zealand.
Prior to this, there is not a lot of archived coverage of Waitangi Day itself – and what there is seems to strongly focus on the 1840 Treaty signing as an historic event, something that belonged in our past.
A recording of the carol “Silent Night” or “Tapu te Po,” sung in te reo Māori and English by men of the 28th Māori Battalion in North Africa in 1942, is one of the many Christmas taonga held in the Sound collection of Ngā Taonga Sound & Vision.
It is part of a series of recordings made by the National Broadcasting Service’s Mobile Recording Unit, in a New Zealand military hospital. The men singing on the recording had been wounded in the Battle of El Alamein in October and November 1942, and were gathered together by Nurse Wiki Katene (Ngāti Toa) of Porirua, to make the recording which would be broadcast back in New Zealand at Christmas.Continue reading →
“How Bizarre,” the catchy hit by OMC (Otara Millionaires Club), was released 21 years ago today, on 15 December 1995.
“How Bizarre” reached the number one spot in New Zealand, Australia, Austria, Canada, Ireland, and South Africa, was on the US Billboard Mainstream Top 40 for 36 weeks, and won Single of the Year at the 1996 New Zealand Music Awards.
Master copies of the music video are preserved in the collections of Ngā Taonga Sound & Vision.
- By Sarah Johnston (Client Services Coordinator – Radio, Ngā Taonga Sound & Vision)
A “date that will live in infamy” is how United States President Franklin Delano Roosevelt described the 7th of December 1941. This week sees the 75th anniversary of the Japanese attack on the US naval base at Pearl Harbor in Hawaii. The attack brought the United States into World War II and brought the war to the Pacific and New Zealand’s back yard.
At the time of the bombing the United States and Japan were actively in peace talks over Japan’s war with China, with Japanese officials in Washington D.C. for negotiations. However, it soon became clear that this air attack had been carefully planned for months, so the outrage felt by the American public at the Japanese deception was immense.
The day after the attack, President Roosevelt addressed the United States Congress and the American people in this historic radio broadcast. Ngā Taonga Sound & Vision holds a recording made in Wellington at the time, from the shortwave radio broadcast, but this version supplied later – directly from the United States – is better quality audio.
The following recording on this compilation tape, is an eye witness account by a US Air Force serviceman, Lieutenant Wallace, who was at Hickham Field airforce base next door to Pearl Harbor. He describes his very brief experience of active warfare.
Another eye witness account of the attack – this time from a civilian perspective – was recorded here in New Zealand a couple of months later, in early 1942, by Thomas Matthews. He was an Englishman, a violinist with the London Philharmonic Orchestra. He was onboard a passenger ship sailing into Honolulu on the fateful morning, on his way to take up a new role in Singapore (which was still a British colony). As he explained to New Zealand radio listeners, at first he and the rest of the passengers thought they were watching military manoeuvres.Continue reading →