Tag Archives: 1960s

AhiparaFeature

Solving a Mystery: The Ahipara Women’s Fire Brigade

- By Lawrence Wharerau (Kaiwhakataki: Programme Coordinator, Māori, Ngā Taonga Sound & Vision)

I have an affinity with Northland – I love the bush, the people and the sea too, and it’s not just because I’m from down them ways. One of my favourite places on earth is Ahipara, by the sea at the southern end of Te Oneroa a Tohe aka Ninety Mile Beach and sheltered by the Tauroa Peninsular to the west. The Herekino Forest has its eastern flank and it is 14kms northeast to Kaitaia, with Pukepoto in between. Shipwreck and Ahipara Bays are famous surf spots and they were once popular places for gathering toheroa.

Some years ago (as in over 15 years ago), I was going through the film collection at The Film Archive (as Ngā Taonga Sound & Vision was then known), when I came across an amateur film called Ahipara Women’s Fire Brigade, circa 1955, which piqued my interest. I had never heard of this brigade and initial enquiries gave little evidence about what they were about nor who these women were. At the time I was curating for a ten marae screening tour of Northland for the project Te Hokinga Mai o Ngā Taonga Whitiāhua ki Ngāpuhi.

The Ahipara Women's Fire Brigade. Back row: Harriet Pure, Hinemoa Te Paa, Linda Curie, Doris Hales. Middle row: Api Kīngi, Joyce Hunt, Jackie Saunders, Mary Hanlon. Front row: Peggy Adams, Agnes Rakich. Photo by Bruce Rogers, supplied courtesy of Te Ahu Museum and Archive, Kaitaia.
The Ahipara Women’s Fire Brigade. Back row: Harriet Pure, Hinemoa Te Paa, Linda Curie, Doris Hales. Middle row: Api Kīngi, Joyce Hunt, Jackie Saunders, Mary Hanlon. Front row: Peggy Adams, Agnes Rakich. (Photo by Bruce Rogers, supplied courtesy of Te Ahu Museum and Archive, Kaitaia.)

The seven-minute film starts with a wide shot overlooking Ahipara from the top of Whangatauatia Mountain, which dominates the environs to the south of the seaside village and is the gateway to the Ahipara gumfields. Then it shows several of the brigade members going about normal domestic duties: hanging washing, ironing, gardening, and the like. Cut to a rubbish pile on fire, a call is made to the local fire station, the klaxon fire alarm is activated, and then it’s all on. It’s down tools and aprons and a mad rush to ready the fire tenders, a Land Rover with trailer and a flat-bed truck, packing the required equipment, and heading off to the incident. Hoses are run out and the fire is attended to with a crowd looking on.

Ahipara Women's Fire Brigade (New Zealand Broadcasting Corporation, 1965).
Ahipara Women’s Fire Brigade (New Zealand Broadcasting Corporation, 1965).

You can watch the film on our online catalogue, here

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WaitangiDayFeature

Historic Radio Reflections on Waitangi Day Through the Decades

To mark Waitangi Day we have uploaded some historic radio coverage of our national day to our online collections catalogue.

View of the verandah of the Treaty house, Waitangi, New Zealand, looking east across the grounds and including the meeting house. Photographed by Whites Aviation in 1947. http://natlib.govt.nz/records/23157208
View of the verandah of the Treaty house, Waitangi, New Zealand, looking east across the grounds and including the meeting house. Photographed by Whites Aviation in 1947. http://natlib.govt.nz/records/23157208 

 

You can listen to our Client Services Co-ordinator Sarah Johnston talking about the 1963 celebrations at Waitangi with RNZ’s Jesse Mulligan here. That year was marked by the presence of Her Majesty the Queen (who landed at Waitangi for her second tour of New Zealand on 6 February) and by a speech by Sir Turi Carroll (Ngāti Kahungunu), President of the New Zealand Māori Council, calling on the government to recognise the Treaty in law and make the day a public holiday – it didn’t become a public holiday until 1974.

The first protests at Waitangi can be heard in New Zealand Broadcasting Corporation radio recordings made at the 1971 commemorations. That year, the newly-formed action group Ngā Tamatoa appeared at the Treaty Grounds, and gave voice to the concerns of a younger generation of Māori. Two Māori radio programmes and two documentaries about the 1971 protests can all be heard here, on our online catalogue.

Ngā Tamatoa’s actions meant the media was forced to examine Māori grievances around the Treaty more closely and radio programmes like these represent the start of greater consideration by the national broadcaster about the Treaty and its implications for modern-day New Zealand.

Prior to this, there is not a lot of archived coverage of Waitangi Day itself – and what there is seems to strongly focus on the 1840 Treaty signing as an historic event, something that belonged in our past. 

One outstanding exception to this was Sir Apirana Ngata’s famous speech at the 1940 Treaty Centennial celebrations, in which he clearly told Pākēha about ongoing Māori concerns at the way the Treaty had been disregarded in the intervening 100 years.

Photograph of Apirana Ngata taking the lead in a haka on Waitangi Day at the centennial celebrations at Waitangi, taken by Bert Snowden  http://natlib.govt.nz/records/22311984
Photograph of Apirana Ngata taking the lead in a haka on Waitangi Day at the centennial celebrations at Waitangi, taken by Bert Snowden http://natlib.govt.nz/records/22311984

 

HildaMyNatureDiary crop

Hilda Brodie Smith

Hilda Brodie Smith, of Porirua, wrote, directed and starred in a number of rather incredible documentaries during the 1960s. Her work was so distinctive and professional that she regularly won prizes in cine club competitions.

Hilda’s films have recently been restored by Ngā Taonga Sound & Vision, and film conservator Richard Faulkner talks about the process in this feature by Radio New Zealand.

12 of the newly preserved films can be watched on our online catalogue, here.

 

Feature image: Hilda Brodie Smith, My Nature Diary (1965).

USPresidentsFeature

US Presidents – The Kiwi Connection

With the results from the United States presidential election due to start coming in later today, we thought it a good time to take a look back at New Zealand’s previous Presidential encounters, as they have been captured in recordings held in the Sound Collection of Ngā Taonga Sound & Vision.

American President Lyndon Baines Johnson shaking the hand of Clem Thorn, aged five years, while he sits on his father's shoulders amongst the crowd at Wellington Airport. Photographed by an Evening Post staff photographer on the 20th of October 1966. http://natlib.govt.nz/records/23083703
American President Lyndon Baines Johnson shaking the hand of Clem Thorn, aged five years, while he sits on his father’s shoulders amongst the crowd at Wellington Airport. Dominion Post (Newspaper) : Photographic negatives and prints of the Evening Post and Dominion newspapers. Ref: EP/1966/4545-F. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/23083703

 

The first visit to our shores by an incumbent US leader was by Lyndon Johnson in 1966. He came to office after the assassination of John F. Kennedy in November 1963. That event shocked the world – and most New Zealanders who were alive at the time can probably still remember where they were when the news broke. Here is New Zealand’s Prime Minister at the time, Keith Holyoake, addressing the country on the tragedy:

 

New Zealand Broadcasting Corporation recording of Keith Holyoake (November 1963)

 

After the assassination of President Kennedy, Lyndon Baines Johnson was sworn in , and he paid New Zealand flying visit in 1966, primarily to shore up our support for the increasingly unpopular war in Vietnam.

It was a whirlwind 24 hour visit to Wellington, with a welcome at the airport, a motorcade through the capital and an official lunch at Parliament, while Mrs Johnson toured Wellington’s Botanic Gardens and Cable Car. Continue reading

Serpentine

Moving Pictures Arrive in New Zealand

120 years ago, on 13 October 1896, New Zealanders first got their chance to see moving pictures, when the first film was played to an audience at the Opera House in Auckland. Ngā Taonga Sound & Vision is marking this anniversary with a series of screenings of a selection of Films that Shaped New Zealand in Wellington over the next 10 days – and we will be preceding each of these screenings by showing either Sandow the Strong Man or The Serpentine Dance before each feature. These were two of the first films ever watched by New Zealand audiences back in 1896.

 

Eugen Sandow in the film Sandow the Strongman (Edison Studios, 1894, directed by William K.L. Dickson).

 

The inaugural screening of moving pictures in New Zealand was as part of a vaudeville programme by Charles Godfrey’s Vaudeville Company.  The “kinematograph” screenings were part of the show’s line-up, along with singers and musical items. After the first performances in Auckland, the show moved to Thames, Paeroa and Wellington later in October 1896, before further screenings in Christchurch and Dunedin in November that year.

 

A preview of the first motion picture screening in New Zealand, "New Zealand Herald," 13 October 1896 (courtesy of Papers Past)
A preview of the first motion picture screening in New Zealand, “New Zealand Herald,” 13 October 1896 (courtesy of Papers Past)

 

Annabelle Whitford in the film The Serpentine Dance (Edison Manufacturing Co., 1895, directed by William K.L. Dickson and William Heise)

 

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Feature

Spring – The Uncertain Season

What does the coming of spring call to mind for you? For Shirley Maddock, the filmmaker behind The Uncertain Season (1962), a pictorial essay made during the first years of television in New Zealand, spring brings a range of pleasures, including:

Fluffy chicks:

Chicks
“The Uncertain Season” (Shirley Maddock, 1962)

 

The release of new season’s fashions:

"The Uncertain Season" (Shirley Maddock, 1962)
“The Uncertain Season” (Shirley Maddock, 1962)

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detail-of-22860362

Audio Curios: Children Will Listen

- By Gareth Watkins (Radio Collection Developer, Ngā Taonga Sound & Vision)

Ngā Taonga Sound & Vision has recently acquired a set of Insight documentaries, spanning 1997-2000, deposited  by Adriann Smith, a former Radio New Zealand producer. Insight is now the longest-running documentary programme on RNZ, having started back in the late 1960s. Gavin McGinley, RNZ National scheduler, recalls:

“As I remember, the National programme used to have a documentary on Sunday mornings in the 1960s. Most of the time they were BBC programmes with the occasional one from the ABC, CBC or SABC. Then I think they began to alternate – one homegrown documentary, one overseas. The first time I remember Insight being used as a series title was about the time I moved to 2ZD Masterton in 1969. And for the next few years the programme was known as Insight ‘69, Insight ‘70, Insight ‘71, etc.”

Adriann’s documentaries from the late 1990s cover a diverse range of subject matter – from revamping the public service to body image.

One that caught my eye from 1997 was “Culture and Cool” – young people speak about cultural change and the influence of mass media on cultural ideas. In this edited excerpt, students from Rongotai College in Wellington talk about how music influences fashion and how media influences language.

 

Insight ’97, “Culture and Cool” (Radio New Zealand) Continue reading

114-363-03.tif

Audio Curios: Notes of Appreciation

- By Gareth Watkins (Radio Collection Developer, Ngā Taonga Sound & Vision)

Recently Ngā Taonga Sound & Vision acquired a set of very special discs from violinist Vince Aspey. The discs not only give a glimpse into Vince’s and his father Vincent Aspey’s distinguished musical careers, they also capture some of the early moments of the New Zealand Symphony Orchestra – back then known as the National Orchestra.

Six years before the National Orchestra’s formation in 1946, an orchestra had been established for the nation’s centennial celebrations. In this recording from 1940, the legendary British conductor Sir Thomas Beecham  – passing through Auckland on his way to Sydney – introduces and then conducts the Centennial Festival Orchestra and Heddle Nash and Isobel Baillie in the garden scene from Faust.

 

Sir Thomas Beecham (1940, National Broadcasting Service)

 

It wasn’t until after the war that a permanent national orchestra was established. Andersen Tyrer was appointed conductor and Vincent Aspey orchestra leader.  As noted on NZ History Aspey had never heard a major orchestra play, but his experience leading orchestras in Auckland, Sydney and Wellington made him an obvious choice for leader.

 

Vincent Aspey playing the violin, Wellington Town Hall [1955]. New Zealand Free Lance : Photographic prints and negatives. Ref: 1/2-146976-F. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/22914998
Vincent Aspey playing the violin, Wellington Town Hall [1955]. New Zealand Free Lance : Photographic prints and negatives. Ref: 1/2-146976-F. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/22914998
 

During those early orchestral rehearsals in 1946, Vincent Aspey’s son Vince recalls standing in the control room at the Waring Taylor Street studios watching his father perform. From one of those first rehearsals comes this recording of soloist Vincent Aspey and the National Orchestra.

 

Vincent Aspey and the National Orchestra in rehearsal (1946)

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WTRM

Te Wiki o te Reo Māori

Māori Language Week began officially in 1975 and radio was involved right from the start in promoting the week and the use of te reo Māori. In the radio collection of Ngā Taonga Sound & Vision we have programmes broadcast during those first years, in both English and te reo. They feature interviews with many of the promoters of the week, such as the members of the Te Reo Māori Society – who were instrumental in getting the language officially recognised and were behind the drive to get more Māori heard on our airwaves and TV screens.

Here you can listen to interviews in te reo from 1975, with Rawiri Rangitauira (Ngāti Whakaue) and Hakopa Te Whata (Ngāpuhi) or listen to interviews from 1976, with  Whaimutu Dewes (Ngāti Porou, Ngāti Rangitihi ) and Tamati Kruger (Ngāi Tūhoe).

In 1975,  there were no kura kaupapa Māori and the ground-breaking kōhanga reo movement had not yet started. So Windy Ridge Primary School on Auckland’s North shore was unusual in that it was teaching students te reo, which had been introduced to the curriculum in 1974. RNZ’s Māori programmes producer Haare Williams went to the school and recorded programmes for that first Māori Language Week in 1975:

“Māori Programmes” / “Te Puna Wai Kōrero,” September 1975 

You can listen to the full programmes online, in English here, or listen to them in te reo Māori here.

By 1978 there was growing concern that there were not enough teachers being trained to teach te reo and meet the demand from schools. Here you can listen to a radio programme in English featuring an interview with John Rangihau (Ngāi Tūhoe), about the training of Māori language teachers and the place of te reo in New Zealand society.

Listening to archived radio news coverage,  we can see that progress promoting use of te reo met with some resistance in Pākehā New Zealand through the 1980s.  Here is coverage from “Morning Report” in 1984, about the official outcry when a Post Office Tolls operator Naida Povey of Ngāti Whātua (now Naida Glavish, President of the Māori Party) started greeting callers with “Kia ora”:

“Morning Report,” 23 May 1984

Today, Ngā Taonga Sound & Vision archives a multitude of programmes in te reo Māori every day, broadcast by  iwi radio stations around the country, as well as television productions from Māori Television. From our historic radio collection this item from 1964 still remains a perennial favourite with both Māori and Pākehā.  It is a radio advertisement from 1964 for the soap powder “Rinso.”  It was produced for an episode of the radio quiz show “It’s in the Bag” hosted by Selwyn Toogood. This episode was broadcast from Northland, where there would still have been a large te reo Māori-speaking population in 1964:

Radio commercial for Rinso performed in Māori, 1964

Rinso
Reckitt and Colman New Zealand : [Rinso packet. 1950s?]. Ref: Eph-F-PACKAGING-1950s-01. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/23206427
 

Feature image:

March on Parliament in support of the Maori Language. Further negatives of the Evening Post newspaper. Ref: EP/1980/2470/20A-F. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/22342091

Esme Stephens.

All the Hits and More – Part 2

Broadcaster and historian Peter Downes wrote to us in response to a recent blog entry about the history of popular music charts in New Zealand, with this fascinating behind-the-scenes background on music hits shows in New Zealand during the 1950s.

Peter Downes.
Peter Downes (courtesy of Peter Downes / Dave Smith).

 

I was pleased to see you’ve included the N.Z. Hit Parade (1952) on your blog.

It so happens that this was yet another of my “babies” and I thought you might like to have some background to it. In those days, apart from some radio drama, New Zealand Broadcasting Service producers were not allowed to be credited.

In the early 1950s most of the so-called “local” radio stations, that is those with a YX call sign, were running their own Hit Parades, with results taken from sales in their town’s record shops. I was a producer at 2YA in Wellington, and it occurred to me that if these results could be combined we would have a near enough to true measure of the most popular songs in New Zealand for that week. In fact it would create a N.Z. Hit Parade. My boss was enthusiastic, and the stations thought it was a good idea and willingly co-operated by sending me their weekly “charts.”

This was in contrast to commercial radio’s Lifebuoy Hit Parade, whose results were based mainly on charts in Billboard (USA) and later in The New Musical Express (UK). The Lifebuoy show was presented by 2ZB’s Rex Walden (pictured in the window display), who had a deep, dark chocolatey BBC type voice.

An advert in a shop window for the Lifebuoy Hit Parade, 1946 (Ngā Taonga Sound & Vision Documentation Collection).
An advert in a shop window for the Lifebuoy Hit Parade, 1946 (Ngā Taonga Sound & Vision Documentation Collection).

 

Rex Walden introducing the Lifebuoy Hit Parade, c.1946

 

We couldn’t hope, nor did we try, to compete with the Lifebuoy show, but we had the advantage of being able to include songs recorded by New Zealand performers when they became bestsellers here but who would never have made the overseas charts.

Esme Stephens.
Esme Stephens (photo courtesy of AudioCulture).

An outstanding example of this was Between Two Trees, in the number two position for the year 1952. This American song had been recorded by the Andrews Sisters in the USA, but was only a minor success. However, a cover version recorded for the New Zealand Stebbing Recording label by Auckland singer Esme Stephens went viral (as they say) in her homeland. It reportedly sold well over 7,000 copies – quite remarkable for that time. It was accompanied by “the guitars of Buddy Kane”.

 

“Between Two Trees,” by Esme Stephens, courtesy of Stebbing Recording. A large back catalogue of early New Zealand recordings has been remastered and is available on the Stebbing Recording website. Continue reading